Add keylight plugin to fcpx professional#

This lighting setup is ideal for indoor shots where you have a wall behind your main subject so the fill light can spill onto it. Dramatic Indoor Lighting Photo by Eugenia Maximova on Unsplash As well as some lighting that breaks away from this traditional setup. Now that we have covered the basics let’s see some innovative ways you can use this setup to boldly and uniquely light your upcoming music video project.

This will give you a dark and eerie mood, if you reverse the colors with the orange over the key light and blue over the fill light you will have a much warmer feel to your shot. So if you want to use a blue filter over your key light you will want to compliment that by using an orange filter over your fill light. When choosing the best colors you always want to go with complementary colors. Gels and filters are easy to incorporate into your three-point lighting setup.

Add keylight plugin to fcpx professional#

This will cause softer shadows (think professional headshots, corporate videos, and non-for-profit type videos and their lighting).Ĭolors can make a huge impact on your music videos and will often highlight the mode of the music. If you want a more airy and upbeat feel, move your key light further away. To create more drama and mood in your video have the key light closer to your main subjects. Using diffusers, color filters, and cookies will allow you to get more creative with your music video lighting. For music videos, you will see this basic lighting setup manipulated a number of ways. Place your camera between your fill and key light. The closer these lights are to your subject the more intense the light will be.

Place the backlight behind your subject on the same side as you fill light. Depending on the effect you are going for the key light is typically twice as bright as your fill light. The fill light is placed opposite of your key light. Usually, this light brightens the side of the face that is shifted away from the camera. Mastering the three-point lighting basic setup is necessary for being able to master any of the other music video lighting set-ups in the article.įor three-point lighting, you will place your key light (the strongest light) in front of your main subject, usually off to one side, to the right or left of your subject. The type of light, color, temperature, and angle of each of these lights can be vastly different. Where you get creative and really make your lighting stand out is in the execution. This is the standard for proper lighting. This consist of three lights:įill light– softer light that fills shadows on your main subject’s face.īack or Rim lighting– adds depth to your shot by giving a soft background glow to your subjects Three-point lighting is the basic and key concept to all successful video lighting. Think beyond convention.While you are most likely well aware of three-point lighting there is a lot more that you may not know that you can accomplish with this standard setup. Jeff's Motto: think beyond convention.and consider it done! Jeff is eager to attack any project head-on. He enjoys creating media-marketing social networking campaign for personalities such as 13-time world boxing champion Tori Nelson, Netflix's 'Narcos' personalities Steve Murphy and Javier Pena, and renowned landscape photographer Frank Lee Ruggles. Filming takes him to Micronesia, Guam, Hawaii, Canada, and locations across the U.S. history and the search for those 15 lost souls abducted in 1938, the true first act of war with Japan. Jeff is looking for funding investors and co-producing 'The Lost Clipper,' a two+ decades project about the first hijacking in U.S. Outside of the workplace, Jeff keeps himself busy with the creation of festival worthy documentaries 'Tori Nelson: Fighting for Her Future' and once nominated and two time Emmy award winning 'A Journey of Education and Remembrance.' His short film 'The Great Realisation' captured the eyes at 18 international film festivals with various winning honors a poem that takes on heavy themes such as fevered capitalism, man-made ecological issues, digital addiction and, of course, the current global blight. For two decades, Jeff Riegel was a former senior level Producer/Editor for the Department of Defense and various government contractors in Northern Virginia.